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        3. Jean-Baptiste Lully ( – ) was an Italian-born French composer, instrumentalist, and dancer who is considered a master of the French Baroque music style.
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          Amadis (Lully)

          Opera by Jean-Baptiste Lully

          Amadis or Amadis de Gaule (Amadis of Gaul) is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault based on Nicolas Herberay des Essarts' adaptation of Garci Rodríguez de Montalvo's Amadis de Gaula.

          It was premiered by the Paris Opera at the Théâtre du Palais-Royal sometime from January 15 to 18, 1684.[1] There was a later production at Versailles without scenery or machines in 1685.[2]

          Performance history

          Amadis was the first tragédie en musique to be based on chivalric rather than mythological themes; Lully's last three completed operas followed in this course.

          Louis XIV of France chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamp, Louis-Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris between 1687 and 1771